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It doesn’t matter if you’re a professional filmmaker or a hopeful one, planning what you see in your head, is essential to nailing your scenes (or endings!). Plan Vision with Storyboards Aladdin ending scene storyboard So, for filmmakers and animators, how did Disney do it? But they were able to determine their preferred ending scene at minimal cost by creating the animatic. The rest is history.ĭid Disney, the storyboard artists, writers, and filmmakers of Aladdin make the right choice? That’s pretty subjective, and up to the viewer. As for the Genie, he breaks the fourth wall similar to the animatic. Aladdin Ending Scene The original Aladdin ending sceneĭisney ultimately ends the final animation with something that was a bit more aesthetically pleasing - Aladdin and Jasmine flying into the night on their magic carpet. Of course, this reveal doesn’t change anything major in the movie, but it is a fun little piece of trivia, especially in light of its revival. With the release of Aladdin on Blu Ray, the bonus footage of the animatic alternative ending confirms the theory. The end would be this reveal - this man with the turban in the beginning was, in fact, the Genie." He goes on to mention that the scene "was eliminated as ' Aladdin' continued to evolve." In a USA Today interview, Clement says "That was always the intention in making the movie. This has been a theory amongst fans for over twenty years, and now there is finally some hard evidence! His comedic performance as the peddler helped audiences quickly question his identity. The fact that Robin Williams also voiced the peddler, engaging with the magic lamp, was a strong indication.
I liked it fine, but it mostly just made me want to watch the original again.They planned to reveal the peddler as the Genie in the film’s closing.
The result is a movie that's not bad, but never truly great either. And that feels like a lot of the movie, they try to meet in the middle. I'd say either go all in, or cut the songs entirely, but instead they try to meet in the middle. There are exceptions, like "Friend Like Me", but for the most part this is the standard. The Prince Ali segment desperately wants to be a big Bollywood number, but just looks like someone filmed a pretty good parade. It's not as fun/funny as the animated film, and it doesn't have the flair or energy of a Bollywood film. In the "One Jump" sequence, a lot of stuff is happening, but it sort of feels like they're all going through the motions. It's sort of doing a Bollywood thing, and while it's got all the flair it just lacks the energy and passion. Then there's the things the movie tried that just didn't quite work, namely its music. Did every beat hit for him? Will he ever replace Williams? No to both, but he was good enough for what the movie needed. I was ready to hate him, but he was charming and funny. It's different than Robin Williams, but it has to be. The movie really comes alive when he shows up. As for Will Smith's genie, honestly he surprised the hell out of me. I don't know how much of this was a real set and how much was CGI, but it really feels like a living breathing world that you could walk around in. I also like the look and set design of Agrabah. I like that Jasmine is a little more fleshed out, and Naomi Scott is absolutely bringing everything she can to this role. Still, there were some things I liked, even some changes I liked.
A lot's been said about him, so I won't pile on, but holy god talk about miscasting, he was awful. They make some weird changes for the worse here (especially in the climax) that just don't help the story, and despite being longer it weirdly rushes through some classic moments in a Cliff Notes fashion. It's not bad, it's enjoyable for what it is, but at the end of the day if I want Aladdin I'll probably just go back to the original. It's still an interesting experiment in itself. It's a bit up-and-down, but often it feels like, at best, a pretty good stage production of the classic film where I'd usually rather be watching that film.